Sonus Index - Volumes 1/1 - 33 /1
Fall 1980 - Fall 2012
| Author | Article | Volume |
| Safari, Sarvenaz | Diamond Splendor | Vol. 32, No. 1 |
| Saggau, Jonathan | Textual, Musical Analysis, Stravinsky's Full fadom five | Vol. 25, No. 2 |
| Salwen, Barry | Roger Sessions: Greatness and Challenge |
Vol. 23, No. 2 |
| Sanchez, Leticia | Music and Education During the 19th Century in Spain | Vol. 31, No. 1 |
| Savenko,Svetlana | The Russian Minimalists: Vladimir Martynov and Alexander Knaifel | Vol. 19, No. 2 |
| Sawyer, Charles | The Legacy of B.B. King Franz | Vol. 14, No. 1 |
| Schenker, Heinrich | Franz Schubert: "Irh Bild" | Vol. 6, No. 2 |
| Schreiner, Martin | Expansion as Design in the "Fantasia" of Elliott Carter's String Quartet No.1 | Vol. 12, No. 2 |
| Schuster, John | Compositional Processing in Clermont Pepin's Quasars | Vol. 12, No. 2 |
| Schwartz, Lloyd | Elliott Carter and American Poetry | Vol. 19, No. 1 |
| Seeger, Charles | Tradition and the American Composer | Vol. 23, No. 1 |
| Servatius, Viveca | Circling Around the Celestial Heart - Some reflections on Hildegard's O tu illustrata | Vol. 26, No. 1 |
| Sessions, Roger | A Letter to Robert Cogan and Pozzi Escot | Vol. 5, No. 2 |
| Heinrich Schenker's Contribution | Vol. 6, No. 1 |
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| Shapey, Ralph | Interview with Robert Cogan | Vol. 5, No. 1 |
| Interview with Robert Cogan (part II) | Vol. 21, No. 1 |
|
| Shimeoka, Yuzuru | Activities and Fruits of the Intellect - My View of Music Theory Education | Vol. 24, No. 1 |
| Shreffler, Anne | The Spectral Characteristics of Flute Multiphonics | Vol. 2, No. 1 |
| Elliott Carter and his America | Vol. 14, No. 2 |
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| Robert Cogan's Utterances | Vol. 16, No. 1 |
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| Shreffler, John | Poetics in Cogan's Utterances | Vol. 16, No. 1 |
| Shuster, Lawrence | A Dialogue With Pozzi Escot | Vol. 20, No. 1 |
| Sills, David | Palindromic Structures in "Non Pepercit Deus Filio/Non Pepercit Deus Nato/Mors" | Vol. 11, No. 2 |
| Skourko, Evgenia | The Foundations of Taneev's Mathematical Concept in The Movable Counterpoint of Strict Style | Vol. 16, No. 2 |
| Problems of Variantal-Form in Russian Theoretical Musicology | Vol. 19, No. 2 |
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| Slocum, Kay | Speculum Musicae: A 14th Century Musical Summa | Vol. 10, No. 2 |
| Smith, Gregory | Past, Present, Future: Contemplating Music, Time and Heidegger | Vol. 14, No. 1 |
| Sokolov, Alexander | Electro-acoustic Russian Music: Some Pages From its History | Vol. 19, No. 2 |
| Sorce, Keller M. | Marcello Marco De Natale "Strutture e Fonne Della Musica Come Processi Simbolici" | Vol. 2, No. 1 |
| Segmental Procedures in the Transmission of Folksongs in Trentino | Vol. 8, No. 2 |
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| Music, Preservertation and Multiculturalism, Some Considerations | Vol. 18, No. 2 |
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| Originality, authenticity and Copyright: Modest Proposal to Rethink the Intellectual Property of Music | Vol. 27, No. 2 | |
| Spragg, Deborah | Time and Intervallic Language in Crawford's Diaphonic Suite No.3 | Vol. 3, No. 1 |
| Stein, Gertrude | Virgil Thomson | Vol. 7, No. 1 |
| Stevenson, Anne | In the Orchard (poem) | Vol. 32, No. 1 |
| Stewart, John | Music, Education and the Role of the Nondiscursive: A Proposal for a New Pedagogy - Michael Jenne's Music, Communication, Ideology | Vol. 7, No. 2 |
| Stoloff, Carolyn | The Headlight Through Us (poem) | Vol. 24, No. 2 |
| Stravinsky, Igor | Le Sacre du Printemps, "Introduction", a Sound Spectrum Photo by Robert Cogan | Vol. 2, No. 2 |
| Sullivan, Kevin | Erik Satie's Vexations | Vol. 27, No. 1 |
| Sutton, Robert | Howard Hanson, Set Theory Pioneer | Vol. 8, No. 1 |
| Swirnoff, Lois | Arturo Toscanini: Memories of a Patriarch | Vol. 29, No. 2 |
| Taub, Robert | An Appreciation of Milton Babbitt's Piano Music | Vol. 13, No. 1 |
| Tick, Judith | Ruth Crawford's Proletarian Ricercari | Vol. 15, No. 2 |
| Thomson, Virgil | Musical Portraits, Boris Borallovic, Robin Holloway, John Holiseman, Anthony Tommasini | Vol. 7, No. 1 |
| On Writing Operas and Staging Them | Vol. 7, No. 1 |
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| What is Quality in Music | Vol. 7, No. 1 |
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| Tillis, Frederick | Jazz Today | Vol. 14, No. 1 |
| Truniger, Mattias | Elliott Carter's Esprit Rude/Esprit Doux | Vol. 19, No. 1 |
| Tsang, Tak-Chee | Transfigurations, Milton Babbitt's Composition for Four Instruments | Vol. 23, No. 1 |
| Tsenova, Valeria | Music from the Former USSR | Vol. 19, No. 2 |
| Turner, Ashley | Early Perspectives on Aboriginal Music, Australia | Vol. 26, No. 2 |
| Tusa, Erzsebet | Music and Art, Education in Hungary, One World Ahead | Vol. 22, No. 2 |
| Urtubey, Pola S. | Musicians and Writers of Argentine Opera | Vol. 21, No. 2 |
| Van Nostrand, B. | Interview with Robert Cogan | Vol. 4, No. 1 |
| Van Mosch, Max | Maria Schneider's Hang Gliding Spectrographic Images | Vol. 30, No. 2 |
| Wang, Zichu | The Marquis Yi's Zeng Stand of Bells | Vol. 17, No. 1 |
| Weinberg, Henry | Ralph Shapey, Songs of Life | Vol. 21, No. 1 |
| Weisgall, Hugo | Interview with Bruce Duffie | Vol. 28, No. 2 |
| Weitz, Morris | On Criticism | Vol. 2, No. 1 |
| But is it Art? | Vol. 10, No. 1 |
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| Wilcox, Howard | A Note on Hexachords which Lack N Semitones | Vol. 1, No. 1 |
| Generating Fibonaci Sequences of Pitch Classes | Vol. 4, No. 2 |
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| A Companion for Interval Vector | Vol. 12, No. 2 |
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| Winner, Thomas | The Aesthetic Semiotics of Roman Jakobson | Vol. 11, No. 2 |
| Wolff, Christian | On Political Texts and New Music | Vol. 1, No. 1 |
| An Interview with Ildi Ivanji | Vol. 5, No. 2 |
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| Music - Experiment - Education | Vol. 26, No. 1 |
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| Wolpe, Stefan | To Understand Music | Vol. 3, No. 1 |
| Ralph Shapey and Stefan Wolpe | Vol. 21, No. 1 |
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| Wolpow, Edward | Sky Blue (poem) | Vol. 24, No. 1 |
| Wu, Zhao | Music/Ritual, Luobowan M1 Tomb's Occupant | Vol. 17, No. 1 |
| Yun, Isang | Interview with Bruce Duffie | Vol. 28, No. 2 |
| Xenakis, Iannis | Interview with Bruce Duffie | Vol. 28, No. 2 |
| York, Wesley | Form and Process in Two Pages of Philip Glass | Vol. 1, No. 2 |
| Yuan, Jingfang | The Capital Music of the Zhinhua Temple | Vol. 17, No. 1 |
| Zhong, Zi-Lin | How to Sing a Chinese Folk Snog | Vol. 6, No. 2 |
| Zhossan, Nataliya | Realization Types, Russian Folklore in Choral Music | Vol. 19, No. 2 |
| Zimmerman, R. | Elliott Carter's Anaphora | Vol. 19, No. 1 |
| Zucker, Anatoly | Modern Academic Russian Music, Folk Connections | Vol. 19, No. 2 |