Sonus Index - Volumes 1/1 - 33 /1

Fall 1980 - Fall 2012

Author	Article	Volume
Safari, Sarvenaz	Diamond Splendor	Vol. 32, No. 1
Saggau, Jonathan	Textual, Musical Analysis, Stravinsky's Full fadom five	Vol. 25, No. 2
Salwen, Barry	Roger Sessions: Greatness and Challenge	Vol. 23, No. 2
Sanchez, Leticia	Music and Education During the 19th Century in Spain	Vol. 31, No. 1
Savenko,Svetlana	The Russian Minimalists: Vladimir Martynov and Alexander Knaifel	Vol. 19, No. 2
Sawyer, Charles	The Legacy of B.B. King Franz	Vol. 14, No. 1
Schenker, Heinrich	Franz Schubert: "Irh Bild"	Vol. 6, No. 2
Schreiner, Martin	Expansion as Design in the "Fantasia" of Elliott Carter's String Quartet No.1	Vol. 12, No. 2
Schuster, John	Compositional Processing in Clermont Pepin's Quasars	Vol. 12, No. 2
Schwartz, Lloyd	Elliott Carter and American Poetry	Vol. 19, No. 1
Seeger, Charles	Tradition and the American Composer	Vol. 23, No. 1
Servatius, Viveca	Circling Around the Celestial Heart - Some reflections on Hildegard's O tu illustrata	Vol. 26, No. 1
Sessions, Roger	A Letter to Robert Cogan and Pozzi Escot	Vol. 5, No. 2
	Heinrich Schenker's Contribution	Vol. 6, No. 1
Shapey, Ralph	Interview with Robert Cogan	Vol. 5, No. 1
	Interview with Robert Cogan (part II)	Vol. 21, No. 1
Shimeoka, Yuzuru	Activities and Fruits of the Intellect - My View of Music Theory Education	Vol. 24, No. 1
Shreffler, Anne	The Spectral Characteristics of Flute Multiphonics	Vol. 2, No. 1
	Elliott Carter and his America	Vol. 14, No. 2
	Robert Cogan's Utterances	Vol. 16, No. 1
Shreffler, John	Poetics in Cogan's Utterances	Vol. 16, No. 1
Shuster, Lawrence	A Dialogue With Pozzi Escot	Vol. 20, No. 1
Sills, David	Palindromic Structures in "Non Pepercit Deus Filio/Non Pepercit Deus Nato/Mors"	Vol. 11, No. 2
Skourko, Evgenia	The Foundations of Taneev's Mathematical Concept in The Movable Counterpoint of Strict Style	Vol. 16, No. 2
	Problems of Variantal-Form in Russian Theoretical Musicology	Vol. 19, No. 2
Slocum, Kay	Speculum Musicae: A 14th Century Musical Summa	Vol. 10, No. 2
Smith, Gregory	Past, Present, Future: Contemplating Music, Time and Heidegger	Vol. 14, No. 1
Sokolov, Alexander	Electro-acoustic Russian Music: Some Pages From its History	Vol. 19, No. 2
Sorce, Keller M.	Marcello Marco De Natale "Strutture e Fonne Della Musica Come Processi Simbolici"	Vol. 2, No. 1
	Segmental Procedures in the Transmission of Folksongs in Trentino	Vol. 8, No. 2
	Music, Preservertation and Multiculturalism, Some Considerations	Vol. 18, No. 2
	Originality, authenticity and Copyright: Modest Proposal to Rethink the Intellectual Property of Music	Vol. 27, No. 2
Spragg, Deborah	Time and Intervallic Language in Crawford's Diaphonic Suite No.3	Vol. 3, No. 1
Stein, Gertrude	Virgil Thomson	Vol. 7, No. 1
Stevenson, Anne	In the Orchard (poem)	Vol. 32, No. 1
Stewart, John	Music, Education and the Role of the Nondiscursive: A Proposal for a New Pedagogy - Michael Jenne's Music, Communication, Ideology	Vol. 7, No. 2
Stoloff, Carolyn	The Headlight Through Us (poem)	Vol. 24, No. 2
Stravinsky, Igor	Le Sacre du Printemps, "Introduction", a Sound Spectrum Photo by Robert Cogan	Vol. 2, No. 2
Sullivan, Kevin	Erik Satie's Vexations	Vol. 27, No. 1
Sutton, Robert	Howard Hanson, Set Theory Pioneer	Vol. 8, No. 1
Swirnoff, Lois	Arturo Toscanini: Memories of a Patriarch	Vol. 29, No. 2
Taub, Robert	An Appreciation of Milton Babbitt's Piano Music	Vol. 13, No. 1
Tick, Judith	Ruth Crawford's Proletarian Ricercari	Vol. 15, No. 2
Thomson, Virgil	Musical Portraits, Boris Borallovic, Robin Holloway, John Holiseman, Anthony Tommasini	Vol. 7, No. 1
	On Writing Operas and Staging Them	Vol. 7, No. 1
	What is Quality in Music	Vol. 7, No. 1
Tillis, Frederick	Jazz Today	Vol. 14, No. 1
Truniger, Mattias	Elliott Carter's Esprit Rude/Esprit Doux	Vol. 19, No. 1
Tsang, Tak-Chee	Transfigurations, Milton Babbitt's Composition for Four Instruments	Vol. 23, No. 1
Tsenova, Valeria	Music from the Former USSR	Vol. 19, No. 2
Turner, Ashley	Early Perspectives on Aboriginal Music, Australia	Vol. 26, No. 2
Tusa, Erzsebet	Music and Art, Education in Hungary, One World Ahead	Vol. 22, No. 2
Urtubey, Pola S.	Musicians and Writers of Argentine Opera	Vol. 21, No. 2
Van Nostrand, B.	Interview with Robert Cogan	Vol. 4, No. 1
Van Mosch, Max	Maria Schneider's Hang Gliding Spectrographic Images	Vol. 30, No. 2
Wang, Zichu	The Marquis Yi's Zeng Stand of Bells	Vol. 17, No. 1
Weinberg, Henry	Ralph Shapey, Songs of Life	Vol. 21, No. 1
Weisgall, Hugo	Interview with Bruce Duffie	Vol. 28, No. 2
Weitz, Morris	On Criticism	Vol. 2, No. 1
	But is it Art?	Vol. 10, No. 1
Wilcox, Howard	A Note on Hexachords which Lack N Semitones	Vol. 1, No. 1
	Generating Fibonaci Sequences of Pitch Classes	Vol. 4, No. 2
	A Companion for Interval Vector	Vol. 12, No. 2
Winner, Thomas	The Aesthetic Semiotics of Roman Jakobson	Vol. 11, No. 2
Wolff, Christian	On Political Texts and New Music	Vol. 1, No. 1
	An Interview with Ildi Ivanji	Vol. 5, No. 2
	Music - Experiment - Education	Vol. 26, No. 1
Wolpe, Stefan	To Understand Music	Vol. 3, No. 1
	Ralph Shapey and Stefan Wolpe	Vol. 21, No. 1
Wolpow, Edward	Sky Blue (poem)	Vol. 24, No. 1
Wu, Zhao	Music/Ritual, Luobowan M1 Tomb's Occupant	Vol. 17, No. 1
Yun, Isang	Interview with Bruce Duffie	Vol. 28, No. 2
Xenakis, Iannis	Interview with Bruce Duffie	Vol. 28, No. 2
York, Wesley	Form and Process in Two Pages of Philip Glass	Vol. 1, No. 2
Yuan, Jingfang	The Capital Music of the Zhinhua Temple	Vol. 17, No. 1
Zhong, Zi-Lin	How to Sing a Chinese Folk Snog	Vol. 6, No. 2
Zhossan, Nataliya	Realization Types, Russian Folklore in Choral Music	Vol. 19, No. 2
Zimmerman, R.	Elliott Carter's Anaphora	Vol. 19, No. 1
Zucker, Anatoly	Modern Academic Russian Music, Folk Connections	Vol. 19, No. 2