Sonus Index - Volumes 1/1 - 24/1
FALL 1980 - FALL 2003
| Author | Article | Volume |
| Salwen, Barry | Roger Sessions: Greatness and Challenge |
Vol. 23, No. 2 |
| Savenko,Svetlana | The Russian Minimalists: Vladimir Martynov and Alexander Knaifel | Vol. 19, No. 2 |
| Sawyer, Charles | The Legacy of B.B. King Franz | Vol. 14, No. 1 |
| Schenker, Heinrich | Schubert: "Irh Bild" | Vol. 6, No. 2 |
| Schreiner, Martin | Expansion as Design in the "Fantasia" of Elliott Carter's String Quartet No.1 | Vol. 12, No. 2 |
| Schuster, John | Compositional Processing in Clermont Pepin's Quasars | Vol. 12, No. 2 |
| Schwartz, Lloyd | Elliott Carter and American Poetry | Vol. 14, No. 1 |
| Seeger, Charles | Tradition and the American Composer | Vol. 23, No. 1 |
| Sessions, Roger | A Letter to Robert Cogan and Pozzi Escot | Vol. 5, No. 2 |
| Heinrich Schenker's Contribution | Vol. 6, No. 1 |
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| Shapey, Ralph | Interview with Robert Cogan | Vol. 5, No. 1 |
| Interview with Robert Cogan (part II) | Vol. 21, No. 1 |
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| Shimaoka, Yuzum | Activities & Fruits of the Intellect - My View of Music Theory Education | Vol. 24, No. 1 |
| Shreffler, Anne | The Spectral Characteristics of Flute Multiphonics | Vol. 2, No. 1 |
| Elliott Carter and his America | Vol. 14, No. 2 |
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| Cogan's Utterances | Vol. 16, No. 1 |
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| Shreffler, John | Poetics in Cogan's Utterances | Vol. 16, No. 1 |
| Shuster, Lawrence | A Dialogue With Pozzi Escot | Vol. 20, No. 1 |
| Sills, David | Palindromic Structures in "Non Pepercit Deus Filio/Non Pepercit Deus Nato/Mors" | Vol. 11, No. 2 |
| Skourko, Evgenia | The Foundations of Taneev's Mathematical Concept in The Movable Counterpoint of Strict Style | Vol. 16, No. 2 |
| Problems of Variantal-Form in Russian Theoretical Musicology | Vol. 19, No. 2 |
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| Slocum, Kay | Speculum Musicae: A 14th Century Musical Summa | Vol. 10, No. 2 |
| Smith, Gregory | Past, Present, Future: Contemplating Music, Time and Heidegger | Vol. 14, No. 1 |
| Sokolov, Alexander | Electro-acoustic Russian Music: Some Pages From its History | Vol. 19, No. 2 |
| Sorce, Keller | Marcello Marco De Natale "Strutture e Fonne Della Musica Come Processi Simbolici" | Vol. 2, No. 1 |
| Segmental Procedures in the Transmission of Folksongs in Trentino | Vol. 8, No. 2 |
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| Music, Preservertation and Multiculturalism, Some Considerations | Vol. 18, No. 2 |
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| Spragg, Deborah | Time and Intervallic Language in Crawford's Diaphonic Suite No.3 | Vol. 3, No. 1 |
| Stein, Gertrude | Virgil Thomson | Vol. 7, No. 1 |
| Stewart, John | Music, Education and the Role of the Nondiscursive: A Proposal for a New Pedagogy - Michael Jenne's Music, Communication, Ideology | Vol. 7, No. 2 |
| Stravinsky, Igor | Le Sacre du Printemps, "Introduction", a Sound Spectrum Photo by Robert Cogan | Vol. 2, No. 2 |
| Sutton, Robert | Howard Hanson, Set Theory Pioneer | Vol. 8, No. 1 |
| Taub, Robert | An Appreciation of Milton Babbitt's Piano Music | Vol. 13, No. 1 |
| Tick, Judith | Ruth Crawford's Proletarian Ricercari | Vol. 15, No. 2 |
| Thomson, Virgil | Musical Portraits, Boris Borallovic, Robin Holloway, John Holiseman, Anthony Tommasini | Vol. 7, No. 1 |
| On Writing Operas and Staging Them | Vol. 7, No. 1 |