Sonus Index - Volumes 1/1 - 24/1
FALL 1980 - FALL 2003
| Author | Article | Volume |
| Lacerda, Marcos | Yoruba Sacred Music and the Barform | Vol. 22, No. 2 |
| Laske, Otto | Understanding Musical Listening Procedurally | Vol. 5, No. 1 |
| Lee, Eugene | Some Aspects of 18- Tone Composition | Vol. 20, No. 2 |
| Lee, Yong-Shik | Pookchung Liong Dance Music | Vol. 20, No. 2 |
| Leech-Wilkinson, D. | Not Just a Pretty Tune: Structuring Devices in Four Machaut Virelais | Vol. 12, No. 1 |
| Lendvai, Erno | Aspects of Verdi Studies, Don Carlo | Vol. 24, No. 1 |
| Liang, Lei | About Being Chinese | Vol. 17, No. 1 |
| Lichtenfeld, Danny | The San Juan Pueblo Black Buffalo Dance | Vol. 15, No. 2 |
| Ligeti, Gyorgy | On my Etudes for Piano | Vol. 9, No. 1 |
| On my Piano Concerto | Vol. 9, No. 1 |
|
| Nonsense Madrigals "Two Dreams and Little Bat", an Original Manuscript, 1988 | Vol. 9, No. 1 |
|
| Lima, Paulo Costa | Composition and Cultural Identity in Bahia | Vol. 21, No. 2 |
| Link, John | The Composition of Carter's Night Fantasies | Vol. 14, No. 2 |
| Locke, David | Atsiagbeko: The Polyrhythmic Texture | Vol. 4, No. 1 |
| Luchese, Diane | Levels of Infrastructure in Ligeti's Volumina | Vol. 9, No. 1 |
| Patterns of Design in the Canonic Variations on Vom Himmel Hoch by J. S. Bach | Vol. 23, No. 2 |
|
| Lucier, Alvin | The Tools of my Trade | Vol. 2, No. 1 |
| Mahoney, Colin | "Along the Memories of my Torments..." (poem) | Vol. 18, No. 2 |
| Mandell, Lena | The Case of Marie Jaell | Vol. 8, No. 2 |
| Marchand, Jean | A Drawing of Catherine Pozzi (-Escot de Meslon) | Vol. 8, No. 1 |
| Marie, Jean-Etienne | Inverse Function: Differentiation and Integration in Messiaen and Boulez Part I | Vol. 2, No. 1 |
| Inverse Function: Differentiation and Integration in Messiaen and Boulez Part II | Vol. 5, No. 1 |
|
| Marshall, Robert | Mozart and Amadeus | Vol. 4, No. 1 |
| Mead, Andrew | The Role of Octave Equivalence in Carter's Recent Music | Vol. 14, No. 2 |
| Miao, Jing | The Role of Traditional Chinese Music in Music Education Today | Vol. 17, No. 1 |
| Monach, Greta | Interview with Pozzi Escot | Vol. 8, No. 2 |
| Morehead, Patricia | Contracting Sets and Expanding Tropes in Stefan Wolpe's Passacaglia for Piano | Vol. 15, No. 2 |
| Newes, Virginia | Dialogue and Dispute in Some Polytextual Songs by Machaut and his Successors | Vol. 12, No. 1 |
| Noble, Javier G. | A Selfish Report (With Some Casual Remarks by Robert Cogan) | Vol. 16, No. 1 |
| Park, Jae-Sung | Korean Contemporary Music: A Brief History | Vol. 20, No. 2 |
| Peden, Douglas | The Influence & Use of Music and Mathematics In My Art | Vol. 24, No. 1 |
| Pozzi, Catherine | The Problem of Musical Beauty and the Science of Intelligent Movement, the Work of Marie Jaell | Vol. 8, No. 1 |
| Prigge, Carolyn | Interview with Pozzi Escot | Vol. 24, No. 1 |
| Pulido, Alejandro | Differentiation and Integration in Ligeti's Chamber Concerto | Vol. 9, No. 1 |
| Machaut's Ballade "Tres Douce Dame": An Interdisciplinary Approach | Vol. 12, No. 1 |
|
| Raphals, Lisa | "Once I Had a Mouse, It..." (poem) | Vol. 17, No. 1 |
| Ratzlaff, Keith | "Group Portrait With Ukuleles" (poem) | Vol. 22, No. 1 |
| Redfield, Seth | George Antheil's Second Sonata The Airplane | Vol. 22, No. 2 |
| Reigle, Robert | Octave Perception | Vol. 22, No. 1 |
| Robertson, Carol | Singing Social Boundaries into Place: The Dynamics of Gender and Performance, Part I | Vol. 10, No. 1 |
| Singing Social Boundaries into Place: The Dynamics of Gender and Performance, Part II | Vol. 10, No. 2 |
|
| Rollin, Robert | Karel Husa's Concerto for Orchestra | Vol. 13, No. 2 |
| Rostan, Daniel | Set Design and Formal Symmetry in Stravinsky's The Flood | Vol. 2, No. 2 |
| Row, Peter | Hindustani Raga Classification | Vol. 1, No. 2 |