Sonus Index - Volumes 1/1 - 33 /1
Fall 1980 - Fall 2012
| Author | Article | Volume |
| Lacerda, Marcos | Yoruba Sacred Music and the Barform | Vol. 22, No. 2 |
| Lanza, Andrea | An Outline of italian Instrumental Music - 20th Century | Vol. 29, No. 1 |
| Laske, Otto | Understanding Musical Listening Procedurally | Vol. 5, No. 1 |
| Lee, Eugene | Some Aspects of 18- Tone Composition | Vol. 20, No. 2 |
| Lee, Heather | Opera in Australia | Vol. 26, No. 2 |
| Lee, Yong-Shik | Pookchung Liong Dance Music | Vol. 20, No. 2 |
| Leech-Wilkinson, D. | Not Just a Pretty Tune: Structuring Devices in Four Machaut Virelais | Vol. 12, No. 1 |
| Lendvai, Erno | Aspects of Verdi Studies, Don Carlo | Vol. 24, No. 1 |
| Levenberg, Jeff | Transcendental Chromaticism | Vol. 28, No. 1 |
| Levy, Brian | Polyrhythmic Superimposition in Jazz | Vol. 27, No. 1 |
| Liang, Maochun | Tianhua Lui, Contemporary Revolution of the Erhu | Vol. 27, No. 1 |
| Liang, Lei | About Being Chinese | Vol. 17, No. 1 |
| Lichtenfeld, Danny | The San Juan Pueblo Black Buffalo Dance | Vol. 15, No. 2 |
| Ligeti, Gyorgy | On my Etudes for Piano | Vol. 9, No. 1 |
| On my Piano Concerto | Vol. 9, No. 1 |
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| Nonsense Madrigals "Two Dreams and Little Bat", an Original Manuscript, 1988 | Vol. 9, No. 1 |
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| Lima, Paulo Costa | Composition and Cultural Identity in Bahia | Vol. 21, No. 2 |
| Link, John | The Composition of Carter's Night Fantasies | Vol. 14, No. 2 |
| Locke, David | Atsiagbeko: The Polyrhythmic Texture | Vol. 4, No. 1 |
| Lorenzo, Alicia | How the Youth Orchestra Developed in Spain | Vol. 31, No. 1 |
| Luchese, Diane | Levels of Infrastructure in Ligeti's Volumina | Vol. 9, No. 1 |
| Patterns of Design in the Canonic Variations on Vom Himmel Hoch by J. S. Bach | Vol. 23, No. 2 |
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| Pozzi Escot's Mirabilis IV O Quam Mirabilis | Vol. 32, No. 1 |
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| Lucier, Alvin | The Tools of my Trade | Vol. 2, No. 1 |
| What We Mean When We Say Music is Universal | Vol. 32, No. 1 |
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| Mahoney, Colin | "Along the Memories of my Torments..." (poem) | Vol. 18, No. 2 |
| Mandell, Lena | The Case of Marie Jaell | Vol. 8, No. 2 |
| Marchand, Jean | A Drawing of Catherine Pozzi (-Escot de Meslon) | Vol. 8, No. 1 |
| Marie, Jean-Etienne | Inverse Function: Differentiation and Integration in Messiaen and Boulez Part I | Vol. 2, No. 1 |
| Inverse Function: Differentiation and Integration in Messiaen and Boulez Part II | Vol. 5, No. 1 |
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| Marshall, Robert | Mozart and Amadeus | Vol. 4, No. 1 |
| Mastropasqua, Mauro | Music Analysis and Related Music Theory - Italy 20th Century | Vol. 29, No. 1 |
| McClure, Deirdre | Philip Glass' Akhnaten | Vol. 30
, No. 1 |
| Mead, Andrew | The Role of Octave Equivalence in Carter's Recent Music | Vol. 14, No. 2 |
| Miao, Jing | The Role of Traditional Chinese Music in Music Education Today | Vol. 17, No. 1 |
| Monach, Greta | Interview with Pozzi Escot | Vol. 8, No. 2 |
| Morehead, Patricia | Contracting Sets and Expanding Tropes in Stefan Wolpe's Passacaglia for Piano | Vol. 15, No. 2 |
| Newes, Virginia | Dialogue and Dispute in Some Polytextual Songs by Machaut and his Successors | Vol. 12, No. 1 |
| Newlin, Dika | Interview with Bruce Duffie | Vol. 28, No. 1 |
| Newsome, Jennifer | Early Perspectives on Aboriginal Music | Vol. 26, No. 2 |
| Noble, Javier G. | A Selfish Report (With Some Casual Remarks by Robert Cogan) | Vol. 16, No. 1 |
| Oteri, Frank J. | A Discussion in 12 Parts With Babbitt (1-5) | Vol. 27, No. 1 |
| A Discussion in 12 Parts With Babbitt (6-12) | Vol. 28, No. 1 |
|
| Ojamaa, Triinu | The Case of Estonian Ballads by Veljo Tormis | Vol. 27, No. 2 |
| Olmo, Maria Jesus del | Music and Medicine/Therapeutic View in Spain | Vol. 31, No. 1 |
| Park, Jae-Sung | Korean Contemporary Music: A Brief History | Vol. 20, No. 2 |
| Peden, Douglas | The Influence/Use of Music and Mathematics In My Art | Vol. 24, No. 1 |
| Perea, Andre Ortega | Music and Architecture | Vol. 31, No. 1 |
| Pozzi, Catherine | The Problem of Musical Beauty and the Science of Intelligent Movement, the Work of Marie Jaell | Vol. 8, No. 1 |
| P-EC, Kali | Drawings/Portraits (Miles Davis and R. Cogan, Sonus 20th and 25th) | Vol. 10 , No. 1 |
| Vol. 14, No. 1 |
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| Vol. 16, No. 1 |
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| Vol. 20, No. 1 |
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| Vol. 25, No. 1 |
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| Prigge, Carolyn | Interview with Pozzi Escot | Vol. 24, No. 1 |
| Pulido, Alejandro | Differentiation and Integration in Ligeti's Chamber Concerto | Vol. 9, No. 1 |
| Machaut's Ballade "Tres Douce Dame": An Interdisciplinary Approach | Vol. 12, No. 1 |
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| Raphals, Lisa | "Once I Had a Mouse, It..." (poem) | Vol. 17, No. 1 |
| Ratzlaff, Keith | "Group Portrait With Ukuleles" (poem) | Vol. 22, No. 1 |
| Redfield, Seth | George Antheil's Second Sonata The Airplane | Vol. 22, No. 2 |
| Reigle, Robert | Octave Perception | Vol. 22, No. 1 |
| Robertson, Carol | Singing Social Boundaries into Place: The Dynamics of Gender and Performance, Part I | Vol. 10, No. 1 |
| Singing Social Boundaries into Place: The Dynamics of Gender and Performance, Part II | Vol. 10, No. 2 |
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| Rollin, Robert | Karel Husa's Concerto for Orchestra | Vol. 13, No. 2 |
| Rostan, Daniel | Set Design and Formal Symmetry in Stravinsky's The Flood | Vol. 2, No. 2 |
| Row, Peter | Hindustani Raga Classification | Vol. 1, No. 2 |
| Ryan, Judith | R.M.Rilke translation of "An die Musik" | Vol. 27, No. 2 |