Sonus Index - Volumes 1/1 - 33 /1

Fall 1980 - Fall 2012

Author Article Volume
Abraham, Mariann A Hungarian Composer in the 20th Century
Jozsef Soproni's Note Pages 		Vol. 26,
No. 1
Agassi, Joseph The Artistic Metaphor,
Progress in the Arts and Sciences 		Vol. 6,
No. 1
Progress in the Arts and Sciences Vol. 18,
No. 2
Agawu, Kofi On an African Song from Akpatu Vol. 10,
No. 1
Ahlstrom, David The Problem of the Unfinished, Ives' Third Symphony Vol. 11,
No. 2
Anderson, Andrew The Epistemology of Transcription Vo. 22,
No. 1
Azzaroni, Loris What Does the Analyst Analyze? Vol. 22,
No. 2
Babbitt, Milton Aspects of Twelve-Tone Composition Vol. 13,
No. 1
Discussion with Babbit by Frank Oteri (1-5) Vol. 27,
No. 1
Discussion with Babbit by Frank Oteri (6-12) Vol. 28,
No. 1
Notes on Some of My Compositions Vol. 13,
No. 1
Bach-Webern Spectrograph of The Musical Offering, "Ricercar" Vol. 15,
No. 1
Barkin, Elaine Rhetorical Variations Vol. 2,
No. 1
Barry, Barbara Plato's Musical Theory/Practice Vol. 5,
No. 2
Les Noces, Genesis of a Wedding Vol. 9
No. 2
Barthes, Roland The Grain of the Voice Vol. 6,
No. 2
Beckler, Stanworth Twentieth Century Composition - A View From Escondido Vol. 22,
No. 1
Harry Partch: An Appreciation Vol. 25,
No. 2
Berard, Jesus M. Major/Minor Relations in Mahler's Lieder eines f. G. Vol 30
No. 2
Black, Peter Rhythmic Games in Bach's Sinfonia No. 15 for Keyboard Vol. 15,
No. 1
A Zuni Squaw Dance Vol. 16,
No. 1
Inroads for Analysis: Roger Sessions, When Lilacs Last in the Dooryard Bloom 'd Vol. 30,
No. 1
From Landscape to Soundscape Vol. 30,
No. 1
Borg, Scott Melodic Rhythmic Explorations in the Didgeridoo Vol. 30,
No. 2
Boulez, Pierre On my Structures for Two Pianos Vol. 24,
No. 2
Bronk, William The Nature of Musical Form (poem) Vol. 23,
No. 2
Bugallo, Helena Concealed Structures in Nancarrow's Study #20 for Player Piano Vol. 26,
No. 1
Bulwa, Lillian Musical Structures in Ionesco's The Bald Soprano Vol. 8,
No. 1
A Musical Time Piece: L'Assasinat de Jean-Marie Leclaire Vol. 23,
No. 2
Bunge, John Arithmetic, Music, Silence: Boethius and Cage Vol. 4,
No. 2
Cage, John Interview by Laura Fletcher and Thomas Moore Vol. 3,
No. 2
Cai, Liang-Yu Ah-Bing, A Chinese
Performer/Composer 		Vol. 3,
No. 2
Interview with Robert Cogan Vol. 6,
No. 1
In Memory of Aaron Copland Vol. 12,
No. 2
Interview with Pozzi Escot Vol 24,
No. 1
Carbon, Jim Astrological Symbolic Order in George Crumb's Makrokosmos Vol. 10,
No. 2
Carl, Robert "A Fearful Symmetry", Micro/Macro Structure in Carl Ruggles' Sun-Treader Vol. 15,
No. 2
Chalmiers, Harry Interview with Pozzi Escot Vol. 24,
No. 1
Chesnut, Jolm A Theory of Value for Tonal Music Vol. 10
No. 2
The Localized Fractal Dimension as an Indicator of Melodic Clustering Vol. 16,
No. 2
Chmaj, John Generative Theory as a Tool for Analysis: Multiple Metric Implications in Schubert's Der Leierman Vol. 6,
No. 1-2
Chun, In-Pyong Man Zhong Kuai Musical Form in Chinese and Korean Music Vol. 20,
No. 2
Corbalan, Mara Relations Between Cognitive Psychology and Music Memory: An Empirical Approach Vol. 31,
No. 1
Cleary, David Vertigo, Rashomon, The Lion King: Parallels to Music Vol. 28,
No. 1
Codina, Maria Prehispanic Music Instruments: A Tradition Vol. 21,
No. 2
Cogan, Robert Tone Color: The New Understanding Vol. 1,
No. 1
Stravinsky the Progressive Le Sacre du Printemps, "Introduction", a Sound Spectrum Photo Vol. 2,
No. 2
In Memory of Roger Sessions Vol. 5
No. 2
Interview by Cai Liang-Yu Vol. 6,
No. 1
Science, Music Values and the Study of Music: Mozart, Tibetan Chant, Boulez, Part I Vol. 7,
No. 2
Science, Music Values and the Study of Music: Mozart, Tibetan Chant, Boulez, Part II Vol. 8,
No. 2
Hildegard's Fractal Antiphon Vol. 11,
No. 1
Varese: An Oppositional Sonic Poetics Vol. 11,
No. 2
In Memoriam John Cage and Olivier Messiaen Vol. 13
No. 2
Mingus: Oppositional Design, Composition, and Improvisation Vol. 14,
No. 2
Two Chronotopic Mini-Essays on J.S. Bach
The Design of Fugues
The Rhythm of a Sarabande 		Vol. 15,
No. 1
Events of His Life Vol. 16,
No. 1
A New Vision of Music Theory Vol. 17,
No. 2
Teaching Composers and Performers for the New Millennium Vol. 17,
No. 2
A View of Global Music Theory Vol. 17,
No. 2
Spectrographic Analysis of Musical Design: Fractals in Bartok's Melodia Vol. 18,
No. 1
Elliott Carter at Ninety Vol. 19,
No. 1
Thanks for the Century, The Millennia Vol. 20,
No. 1
An Interview With Ralph Shapey (3/1984) Vol. 21,
No. 1
A Note on Music and the Arts in America Today After Isaiah Berlin Vol. 22,
No. 1
Ives' Farewell Vol. 22,
No. 2
An Assemblage of Questions: Robert Cogan Interviewed by Peter Black, John Latertara, Jung-Mi Lee, Jonathan Saggau, Jon Sakata, Matthias Truniger Vol. 24,
No. 2
Music History: An Alternative View Vol. 24,
No. 2
Toscanini: Then and Now Vol. 29,
No. 2
Beethoven's "Joy" Vol. 30,
No. 1
The architecture of Contrapunctus I: A Third Chronotopic Mini-Essay on J. S. Bach Vol. 32,
No. 1
Cohn, Richard The 12x12 Latin Square in Babbitt String Quartet No.2 Vol. 3,
No. 1
Commins, Adele An Irishman in an English Musical Garden: Perceptions of Stanford's Piano Music Vol. 33,
No. 1
Conde, Gerard Hector Berlioz: Form and Pretext Vol. 12,
No. 2
Corey, Kirk My Algorithmic Muse Vol. 18,
No. 1
Cucchiara, David Heinrich Schenker's Kontrapunkt, A Review Vol. 29,
No. 2
Cunha, Antionio Conlon Nancarrow: Studies 31, 32 Vol. 29,
No. 2
Cunio, Kim Opera in Australia Vol. 26,
No. 2
Curtin, Phyllis Prefactory Note: Virgil Thomson Vol. 7,
No. 2