Sonus Index - Volumes 1/1 - 24/1
FALL 1980 - FALL 2003
| Author | Article | Volume |
| Daane, Larry | Turn To Day (poem) | Vol. 33, No. 1 |
| Danuser, Hennann | Elliott Carter, Late Work as Lyric Poetry | Vol. 19, No. 1 |
| Davidson, Lyle | The Structure of Lassus' Motets a2 | Vol. 2, No. 2 |
| Delaere, Mark | Classifications of Art as Primary Source for Musical Esthetics: Kant, Hegel, Kierkegaard, and Schopenhauer | Vol. 18, No. 2 |
| Deleuze, Gilles | Pourquoi Nous, Non Musiciens? | Vol. 23, No. 1 |
| De Natale, Marco | Analysis of Opera: An Incumbent Problem | Vol. 22 |
| De Zubicaray, Helen | On Hildegard's Perception of Pitch in her Chants | Vol. 16, No. 2 |
| The Harmonies of Plato's World Soul: An Exercise In Music & Mathematics by a 12th century Irish Scribe | Vol. 23, No. 2 |
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| Di Scipio, Agostino | Interpreting Music Technology - From Heidegger to Subversive Rationalization | Vol. 18, No. 1 |
| Eitan, Zohar | Beethoven's Thematization of Musical Space: The Case of the Appasionata | Vol. 15, No. 1 |
| Escot, Pozzi | Towards a Theoretical Concept: Non-Linearity in an Eve Song | Vol. 1, No. 1 |
| Towards a Theoretical Concept: Non-Linearity in Webem's Opus 11, No. I | Vol. 3, No. 1 |
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| Philipp Jarnach: One Beginning Gothic Cathedral and the Hidden Geometry of St. Hildegard | Vol. 5, No. 1 |
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| Semiotics of Music | Vol. 6, No. 2 |
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| "Charm'd Magic Casements", Mathematical Models in Ligeti | Vol. 9, No. 1 |
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| Explorations and Explosions of a Hidden Likeness, Three Piro Songs | Vol. 9, No. 2 |
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| Interview with Bruce Duffie | Vol. 10, No. 1 |
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| Hildegard von Bingen: Universal Proportion | Vol. 11, No. 1 |
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| Earth, Heaven and Music's Universal Quest: Machaut's Ballade "Danle, se vous m'estes lonteitnne", Zuni "Buffalo Dance" | Vol. 12, No. 1 |
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| A Duet for Betty Ami (Milton Babbitt) | Vol. 13, No. 1 |
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| Streams and Dreams - "0 Virtued Wisdom Which Encircles Circles" | Vol. 13, No. 2 |
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| Elliott Carter - A Foreword | Vol. 14, No. 2 |
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| A New Vision of Music Theory | Vol. 17, No. 2 |
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| A View of Global Music Theory | Vol. 17, No. 2 |
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| Patterns of Culture, Patterns of Music | Vol. 17, No. 2 |
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| The Poetry of Mathematics in Music | Vol. 17, No. 2 |
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| Studium divinitatis, Harmonies in my Music | Vol. 18, No. 2 |
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| Resemblances in Depth-The Universality of Music | Vol. 20, No. 1 |
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| Resemblances in Depth-A Dialogue with Pozzi Escot | Vol. 20, No. 1 |
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| The Affecting Presence of Hildegard von Bingen | Vol. 23, No. 1 |
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| "Mere Juxapositions of Ideas" - 3 Interviews with Pozzi Escot by H. Chalmiers, L.Cai, C. Prigge | Vol. 24, No. 1 |
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| Felchnan, Morton | Interview by Thomas Moore | Vol. 4, No. 2 |
| Felice, John | A Question I Have Never Heard Asked | Vol. 15, No. 1 |
| Flanagan, Sabina | St. Hildegard & the Global Possibilities of Music | Vol. 11, No. 1 |
| Fleisher, Robert | World Music in the Theory Curriculum | Vol. 3, No. 1 |
| Flynn, Frances | First National Congress on Women in Music | Vol. 2, No. 1 |
| Women in Music Opus 2 - Breaking the Silence | Vol. 4, No. 1 |
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| Fry, Laura | Stockhausen's "You are a Spirit": Musical-Mystical Unities | Vol. 4, No. 1 |
| Fuller, Sarah | Machaut and the Definition of Musical Space | Vol. 12, No. 1 |
| Furtwangler, W. | Heinrich Schenker: A Contemporary Problem | Vol. 6, No. 1 |
| Gardiner, Michael | Ideal Transformations, John Cage, Freeman Etude III Book I for Solo Violin | Vol. 23, No. 2 |
| Gebura, Alice | Spectral Shape as a Reflection of the Text in Stockhausen's "In the Sky" from Indianlieder | Vol. 1, No. 1 |
| Gimenez Noble, J. | A Selfish Report - Robert 'Cogan | Vol. 16, No. 1 |
| Glock, William | "Greatness in Our Time Can Only be Solitary" An Appreciation (Elliott Carter) | Vol. 19, No. 1 |
| Godtrey, Daniel | A Unique Vision of Musical Time - Carter's String Quartet No.3 | Vol. 8, No. 1 |
| Greitzer, Mary | "A World in a Grain of Sand", Shapey's Fantasy for Violin and Piano | Vol. 21, No. 1 |
| Hamer, Janice | In Memoriam Seymour Shifrin | Vol. 1, No. 1 |
| Non-Linearity in Phrase Structure: A Stylistic Feature of the Music of Heinrich Schutz | Vol. 3, No. 2 |
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| Hamman, Michael | Interaction as Composition: Toward the Paralogical in Computer Music | Vol. 27, No. 1 |
| Hammond, Michael | Questions of Music and Knowledge | Vol. 20, No. 1 |
| Harrison, Lou | Interview by Toshie Kakinuma and Mamoro Fujieda | Vol. 9, No. 2 |
| Hearon, Jim | Improvisation Ensemble | Vol. 13, No. 2 |
| Escot's Mirabilis I "Pulses With The Beauty of Mathematics" | Vol. 26, No. 2 |
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| Henry, Robert | Are Our Pianists Unmusical? | Vol. 10, No. 1 |
| Reflections on Themes and Episodes in the Fugues of J. S. Bach | Vol. 15, No. 1 |
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| Hermann, Richard | Luciano Berio's Circles, First Movement | Vol. 4, No. 2 |
| Herold, Conrad | Economic Restructuring and Cultural Production In Latin America: An Introduction | Vol. 21, No. 2 |
| Holliger, Heinz | Conversation with Elliott Carter | Vol. 14, No. 2 |
| HoIzaepfel, John | 32 Mesostics on Four Freeman Etudes by John Cage | Vol. 10, No. 2 |
| Hommel, Friedrich | How the Province Became International - Early Days of New Music in Darmstadt | Vol. 10, No. 1 |
| Huang, Xiang-Peng | Archaeology in Morphomusicology on Zeng Houyi's Bells, Part I | Vol. 4, No. 2 |
| Archaeology in Morphomusicology on Zeng Houyi's Bells, Part II | Vol. 5, No. 1 |
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| Hull, Garrison | Between The Staves | Vol. 22, No. 1 |
| Jaell,Marie | Le Divin Dans La Musique | Vol. 8, No. 2 |
| Jacobson, Roman | Musicology and Linguistics | Vol. 3, No. 2 |
| Janello, David | Mathematical Randomness In Music | Vol. 16, No. 2 |
| Jarnach, Philipp | New Classicism | Vol. 3, No. 2 |
| Brahms in his Century and in the Present | Vol. 9, No. 2 |
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| Mahler and Schoenberg | Vol. 11, No. 2 |
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| Jeon Mee-Eun | "Unforgettable Moments" in Evocation I, Mvt. I By Ralph Shapey | Vol. 24, No. 1 |
| Jolas, Betsy | La Voix de ma Mere | Vol. 24, No. 1 |
| Joseph, Lawrence | The Poet Catherine Pozzi - An Introduction | Vol. 8, No. 1 |
| Kalish, Gilbert | The World of Ralph Shapey | Vol. 21, No. 1 |
| Kalischer, Clemens | Stefan Wolpe at Black Mountain - College - A Photograph | Vol. 3, No. 1 |
| Milton Babbitt and Friends at the MacDowell Colony - A Photograph | Vol. 13, No. 1 |
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| John Cage at the Yellow Bam Music Festival in Putney, Vennont - A Photograph | Vol. 13, No. 2 |
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| Olivier Messiaen at Tanglewood - A Photograph | Vol. 13, No. 2 |
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| Kasenchak, Robert | Same/Difference: The Design of Ruth Crawford's Diaphonic Suite No.2, Movement I | Vol. 23, No. 1 |
| Kennedy, T. Frank | Latin American Colonial Music: The Case for Mission Music as a New Genre | Vol. 21, No. 2 |
| Kessler, Howard | Rhythmic Cycles and Self-Similarity in Cage's Concerto for Prepared Piano | Vol. 15, No. 2 |
| Kim, Choon-Mee | The State of New Music in Korea Related to Social and Political Circumstances | Vol. 20, No. 2 |
| Kim, Earl | Interview with Mee-Eun Jeon | Vol. 7, No. 2 |
| Koch, Sigmund | Conversation with Milton Babbitt | Vol. 13, No. 1 |
| Koenig, Gottfried | Layers and Variants | Vol. 18, No. 1 |
| Koetting, James | Assessing Meter in Kasena Jongo | Vol. 5, No. 2 |
| Kolisch, Rudolf | Lecture Delivered at Dartmouth College | Vol. 1, No. 2 |
| Korde, Shirish | North Indian Alap: An Analytic Model | Vol. 2, No. 2 |
| Kostelanetz, R. | Notes on "Baseball: America's Game" | Vol. 7, No. 2 |
| Koto, Takashi | Basic Cells and Combinations in Varese's Ionisation | Vol. 7, No. 2 |
| Basic Cells and Intercourse in Varese's Density 21.5 | Vol. 8, No. 1 |
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| Basic Cells and Hybridization in Varese's Octandre | Vol. 8, No. 2 |
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| Basic Cells and Foreign Bodies in Varese's Integrales | Vol. 9, No. 2 |
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| Kraft, Kent | Hermetic Embodiment in St. Hildegard and William Blake | Vol. 11, No. 1 |
| Kulenovich, Vuk | The Lydian Concept | Vol. 14, No. 1 |
| Kwon Oh-Sung | Problems of Ethnomusicology in Korea | Vol. 20 , No. 2 |